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[“Roe” reviewed by Peter Marks] [Lisa Loomer talks “Roe” with Nelson Pressley] “Sweeney Todd.” “Stephen Sondheim’s musical is a lip-smacking banquet, and while Jason Loewith’s staging at the Olney has a lot going for it, a few too many of this juicy potboiler’s most savory moments go down in a hasty gulp. Enhanced smartly by Danny Gavigan and Maggie Wilder as the seemingly defenseless younger couple who stumble into George and Martha’s web, the three-act production glides by on a sizzlingly steady current of boozy accusation and twisted mind games. The Medium (the compelling Julieta Egurrola, one of Mexico’s leading actors) and the Lecturer (Peter Pereyra) represent the more fanciful and philosophical reaches of the play, which was first staged in 1966. Then there’s David Benoit, a burly, edgy, golden-throated Sweeney, a formidable centerpiece for the epic show this nearly is.” (Nelson Pressley) Through March 5 at Olney Theatre Center, 2001 Olney-Sandy Spring Rd., Olney. ” “In the persons of Gregory Linington and Holly Twyford, the Ford’s Theatre revival, directed with sharpshooter’s acumen by Aaron Posner, Washington audiences are getting as good as this toxically funny masterwork gives. ”] “Yo También Hablo de la Rosa (I Too Speak of the Rose).” “An idiosyncratic work whose social commentary is buttressed by flights of poetry and quirkily expressed insights on how humans parse reality. It’s quirky to make the witches a trio of tech-savvy geeks in a coffeehouse, but they don’t end up with much to do — and you really miss the vicious married couple’s fascinating second thoughts when their wicked scheme goes sour.” (Nelson Pressley) Through Feb. 12 at Next Stop Theatre Company, 269 Sunset Park Dr., Herndon. Fridays and Saturdays in the Ronald Reagan Building and International Trade Center Amphitheater, 1300 Pennsylvania Ave. ‘Last Train’ is not a play that coasts on showy action: May and Raleigh principally talk, with conversation sometimes shading into teasing, bickering or reproach. [Celia Wren reviews “Last Train to Nibroc”] “The River.” The D. premiere of Jez Butterworth’s moody three-character drama (debuting 2012 in London, 2014 in New York) about an isolated fisherman and women who come and go. Otherwise, not even the coolly understated acting (with mild British accents) will lure you.” (Nelson Pressley) Through Feb. “Even if Loomer’s work is presented by director Bill Rauch in a sometimes prosaic, finger-wagging style — prompting memories of gratingly earnest high school assemblies — the topic is important enough and the production informative enough to merit the platform the company is providing. Buffs of subtle mind games may lean in to Butterworth’s intimate dialogue, which is full of feints and hesitations. Wade drama gets its East coast premiere at Arena Stage. Intimate, wise and surprising, with a delightful penultimate narrative twist, ‘Last Train’ (1998) follows the relationship between Raleigh (Wood Van Meter) and May (Lexi Langs), who meet on a train somewhere west of Chicago in 1940. 19 at the Undercroft Theatre, Mount Vernon Place United Methodist Church, 900 Massachusetts Ave.

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With a cast of four directed by Matt Conner at the intimate Creative Cauldron.

Gaye Taylor Upchurch’s modern dress production at Folger Theatre (in association with the Hudson Valley Shakespeare Festival) sets its action against original blues tunes and hip-hop rhythms, with actors strumming guitars and hooting into kazoos like hippies in the woods. [“As You Like It” reviewed by Nelson Pressley] “Baby Screams Miracle.” “Out in the woods of the Pacific Northwest, where ‘Baby Screams Miracle’ is set, five intrepid, God-fearing souls are tossed this way and that in a Category 5 challenge to their spiritual — and property — values. Payton who, in Round House Theatre’s vibrant revival, portrays Caroline — a role tailor-made for a golden-throated powerhouse. “If the actors aren’t absolutely crystalline with the nuances, they’re still very good, and under the direction of Thomas W. [Nelson Pressley reviews “The Gin Game”] “The Hard Problem.” “The title of Tom Stoppard’s first new play since 2006’s ‘Rock ’n’ Roll’ refers to the thorny issue of consciousness. The actors get the ideas across but often seem like they’ve just picked up this second language steeped in probabilities and academic imperatives. A ‘laugh’ sign hangs over the stage and lights up at inappropriate times. Mosaic poses the question] “I Wanna F-ing Tear You Apart.” A premiere on friendship and anger from Morgan Gould.

[Lillian Hellman, the writer you love or hate] [Marsha Mason talks with Peter Marks] “As You Like It.” “The comedy with Rosalind and offbeat exiles fleeing a fascist court and bumbling through the forest of Arden. [Peter Marks reviews “Baby Screams Miracle”] “Caroline, or Change.” “It’s the illustrious Nova Y. [Nelson Pressley reviews “The Hard Problem”] “Hooded, or Being Black for Dummies.” “In the breathtakingly on-point new comedy ‘Hooded, or Being Black for Dummies,’ one of the two young black men sharing a jail cell was trespassing while ‘Trayvoning,’ the real-life meme of kids lying down like the slain teen Trayvon Martin. [Nelson Pressley reviews “Hooded: Or Being Black for Dummies”] [DC theater, fully diversifying? And then into this impressive structure Gould swings a wrecking ball of uncanny illogic.” (Peter Marks) Through Feb.

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The star turns to see this week are big and stormy: Nova Y. [Celia Wren review the 2013 “H2O” in Shepherdstown, W. Studio Theatre head and former Shakespeare Theatre Company associate artistic director David Muse directs the STC’s production. “Peter & the Starcatcher.” Constellation Theatre Company brings its flair for mini-spectacle to the boisterous off-Broadway hit about Peter Pan. [Rick Elice and the late Roger Rees in 2014, on creating ‘Starcatcher’] “The Taming of the Shrew.” Synetic Theater revives its 2012 Hollywood-themed staging of Shakespeare’s comedy, with lots of cast changes but still with Irina Tsikurishvili and Ryan Sellers as the battling couple.

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